24 Mar 2006
Holzmair/Vignoles — Queen Elizabeth Hall, London
http://arts.guardian.co.uk/reviews/story/0,,1738257,00.html
Recently in News
Latest news
Bizet’s Carmen Uncovered
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
The Operas of Sergei Prokofiev
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
Incoming Artistic Director Rosetta Cucchi announces her 2020 programme inspired by William Shakespeare and the launch of the Wexford Factory Academy for young Irish singers
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
Music In The Present Tense: Rossini’s Italian Operas in Their Time
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama
http://www.iupress.indiana.edu/product_info.php?products_id=809636
Prokofiev’s Soviet Operas
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
The Opera Singer’s Acting Toolkit
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
The real Traviata. The Song of Marie Duplessis
https://h-france.net/vol18reviews/vol18no52palidda.pdf
Glyndebourne announces new Artistic Director
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
BLACK OPERA: HISTORY, POWER, ENGAGEMENT
A musical challenge to our view of the past
Die schöne Müllerin by Mark Padmore
Opera Rara - How to Rescue a Lost Opera
https://vimeo.com/operarara/how-to-rescue-an-opera
Welsh National Opera explores Madness for autumn season
New Releases from Opera Rara
A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony
On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side
Il Trittico: Puccini's most underrated opera
Bizet's Carmen | English National Opera
OPERA TODAY ARCHIVES »
News
Erica Jeal [The Guardian, 24 March 2006]
Opera has always taken second place to lieder for the Austrian baritone Wolfgang Holzmair. He seems to find more of an outlet for dramatic expression on the concert platform than many do on stage, and his devoted admirers won't have been disappointed by the communicative energy he brought to bear on this programme of songs by Clara and Robert Schumann. They might, however, have had to admit that his voice itself was sounding a little worn, and that Holzmair might now be better heard in halls with warmer, more singer-friendly acoustics.