31 Mar 2006
Ian Bostridge, Middle Temple Hall, London
http://news.ft.com/cms/s/a1061d70-c00b-11da-939f-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/a1061d70-c00b-11da-939f-0000779e2340.html
By Richard Fairman [Financial Times, 30 March 2006]
A hallowed air of Art hangs over Middle Temple Hall, where Shakespeare’s Twelfth Night had its first performance. It seems unarguable that music and drama should always belong here and that is evidently what the organisers of the Temple Song series thought.