06 Mar 2006
Opera's Got A Brand-New Rag For One Night
http://www.nypost.com/entertainment/62770.htm
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nypost.com/entertainment/62770.htm
By BARBARA HOFFMAN [NY Post, 6 March 2006]
SCOTT Joplin, the Ragtime King, wrote one opera - but, as far as success goes, it was no "Maple Leaf Rag."
Instead, "Treemonisha," a 1911 work about African-American slaves' emergence into the modern world, fell on deaf ears, which broke Joplin's heart and presumably hastened his death (in 1917).