27 Mar 2006
What's so great about eunuchs?
http://arts.guardian.co.uk/features/story/0,,1740447,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/features/story/0,,1740447,00.html
Thousands of boys were mutilated to satisfy 18th-century Europe's obsession with castrati singers. Meurig Bowen on a terrible trade
[Guardian, 27 March 2006]
Two and a half centuries ago, as he travelled through Italy, the French writer Charles de Brosses found his eye drawn to some of the men. Most, he noted, "become big and fat like capons, their mouths, their rumps, arms, breasts and neck rounded and chubby like women. When you meet them in a gathering you are completely taken aback on hearing these colossal men speak with a tiny, childlike voice."