20 Apr 2006
An alluring, narcotic Wagner
http://www.newsday.com/entertainment/arts/ny-etlohen4707479apr20,0,5267226.story?coll=ny-arts-headlines
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newsday.com/entertainment/arts/ny-etlohen4707479apr20,0,5267226.story?coll=ny-arts-headlines
BY JUSTIN DAVIDSON [Newsday, 20 April 2006]
"Lohengrin" is long. It is not incidentally long, not long just because it has so much territory to cover or characters to plumb. It has no plot to speak of: The opera's core riddle is like the question about Grant's tomb: What is the name of the title character in "Lohengrin"?