20 Apr 2006
BELLINI: I puritani
I puritani, opera seria in three acts
Music composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine.
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
La Vestale, a tragédie lyrique in three acts.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Il Trovatore, dramma in four parts.
Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Arabella: Lyrische Komödie in three acts
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
Un ballo in maschera, a melodramma in three acts.
Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)
Medea: Melodramma tragico in three acts.
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
Some Details concerning the Revolution inaugurated by Rossini
Manon Lescaut, dramma lirico in quattro atti
Elektra: Tragedy in one act.
Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.
“Diacono himself does not know what musical talent he possesses” – Mascagni
I puritani, opera seria in three acts
Music composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine.
Streaming Audio
Music composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine.
First Performance: 24 January 1835 at Théâtre Italien, Paris.
Lord Gualtiero Walton, Governor General of the fortress | Bass |
Sir Giorgio, brother of Lord Walton, retired Puritan colonel | Bass |
Lord Arturo Talbo, Cavalier, Stuart sympathizer | Tenor |
Sir Riccardo Forth, Puritan colonel | Baritone |
Sir Bruno Robertson, Puritan officer | Tenor |
Enrichetta di Francia [Queen Henrietta Maria], widow of Charles I | Mezzo-Soprano |
Elvira, daughter of Lord Walton | Soprano |
Time and Place: Near Plymouth, England, during the Second English Civil War after the execution of Charles I (30 January 1649)
Synopsis:
Act One
Riccardo, a follower of Cromwell and his Puritans, and Arturo, a staunch Cavalier who supports the Stuart cause, are both in love with Elvira, the daughter of Lord Walton. Walton had originally promised Riccardo his daughter’s hand in marriage but subsequently relented, not wishing to disregard the feelings of his daughter, who is in love with Arturo. The preparations for the nuptuals of Elvira and Arturo are in full swing.
Elvira as yet knows nothing of her good fortune. Her uncle, Giorgio, informs her that he has interceded on her behalf with his brother, her father, who has now agreed to her marrying Arturo.
Arturo arrives for the festivities. On discovering that a prisoner in the fortress under sentence of death is, in fact, Queen Enrichetta, the widow of Charles I of England, he enables her to escape by disguising her in Elvira's bridal veil. Elvira interprets this as desertion and loses her reason.
Act Two
The English parliament has sentenced Arturo to death, and Elvira no longer sees any sense in her life.
Giorgio hopes that a sudden piece of good news will cure Elvira and restore her to reason, and what better news than that Aturo should be pardoned. Giorgio persuades Riccardo to spare Arturo, if the latter does not fight on the side of the Royalists in Cromwell's impending battle against the Cavalier followers of the Stuarts.
Act Three
Arturo has returned to the fortress secretly to seek out Elvira and convince her of his continued devotion. Cromwell's soldiers apprehend him and threaten him with execution. At this very moment Elvira suddenly becomes aware of the situation and pleads, in vain, for Arturo's life. At the very last moment a messenger arrives with the news of Cromwell’s defeat of the Stuart followers. Cromwell has issued a pardon for all prisoners. Arturo is freed and there is now nothing to prevent the lovers from marrying.
[Synopsis: Bayerische Staatsoper (translation: Susan Bollinger)]