10 Apr 2006
Carmen, That Devilish and Dangerous Free-Spirited Gypsy, Is at It Again in a City Opera Production
http://www.nytimes.com/2006/04/10/arts/music/10carm.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/04/10/arts/music/10carm.html
(Photo: Martha Mickles)
By JEREMY EICHLER [NY Times, 10 April 2006]
The New York City Opera has divided its spring season down the middle, with box-office safeties on one side and more adventurous fare on the other. "Carmen," which obviously falls in the first camp, dutifully returned to the New York State Theater on Friday night in a traditional production by Jonathan Eaton.