19 Apr 2006
Gotterdammerung, Royal Opera House, London
http://enjoyment.independent.co.uk/music/reviews/article358662.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://enjoyment.independent.co.uk/music/reviews/article358662.ece
A sensational final instalment
By Edward Seckerson [Independent, 19 April 2006]
The Royal Opera's new Ring cycle comes full circle, its heroes briefly immortalised in gold like outsized Oscar statuettes, its heroine duly lighting the touch-paper for the eradication of one era and the beginning of another. And as Wagner's "redemption of love" motif finally finds serenity in the strings, there is hope, too, that new beginnings may bring better endings.