10 Apr 2006
'Orazi & Curiazi' gets much-deserved U.S. premiere
http://www.twincities.com/mld/twincities/entertainment/performing_arts/14304684.htm
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.twincities.com/mld/twincities/entertainment/performing_arts/14304684.htm
BY PAMELA HILL NETTLETON [Pioneer Press, 10 April 2006]
The Minnesota Opera's "Orazi & Curiazi" is more Romeo & Tybalt than Romeo & Juliet.
The most thrilling duet is between the two male leads, Scott Piper as Curiazio and Ashley Holland as Orazio, who share childhood memories, recall a battle in which one saved the other's life and then grumble about having to kill each other for the glory of Rome — everything short of "I wish I knew how to quit you."