15 Apr 2006
Wagner's women
http://arts.guardian.co.uk/features/story/0,,1754063,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/features/story/0,,1754063,00.html
Can it be that the great egoist of opera had a feminist streak? Is Brünnhilde the true heroine of the Ring? The truth lies in the music, argues Natasha Walter
[Guardian, 15 April 2006]
If I ever thought about Wagner before I first saw a performance of one of his operas, a certain image sprang to mind. A stage full of blond singers, perhaps including a monumental soprano with plaits and a helmet, but certainly centering on the triumph of an Aryan hero, accompanied by blaring music full of brass and percussion. There was something macho about the whole scenario, and I had no interest in it at all.