30 May 2006
Carmen — Theatre Royal, Glasgow
http://arts.guardian.co.uk/reviews/story/0,,1785421,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/reviews/story/0,,1785421,00.html
Rowena Smith [The Guardian, 30 May 2006]
Patrice Caurier and Moshe Leiser's Carmen has been a sound investment for the two companies for whom it was created - both Scottish Opera and Welsh National Opera are reviving it in coming months. In Scotland, thanks to the recently implemented smoking ban, this is a production without cigarettes, something of a challenge in the first act, which takes place outside the gates of a factory that produces them. However, revival director Aidan Lang's solution of wafting some smoke in from the wings is an elegant one; you can't see the factory, but you can smell it, which adds to the sensuous appeal of this production.