25 May 2006
Duke Bluebeard's Castle/Erwartung, Royal Opera House, London
http://enjoyment.independent.co.uk/music/features/article583906.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://enjoyment.independent.co.uk/music/features/article583906.ece
The dangers of digging into a soul's secrets
By Michael Church [Independent, 25 May 2006]
As the willing bride of a serial wife-murderer, Judith embodies a quintessentially Freudian fantasy: Bartok's Duke Bluebeard's Castle plugs directly into psychoanalysis. And when the curtain rises on John Macfarlane's richly suggestive set, that exploratory feeling will be reinforced. This one-act, two-character opera may last only an hour, but it's a huge challenge for the mezzo who stars in it. In Petra Lang, the Royal Opera have found a singer well equal to the challenge.