19 May 2006
Hvorostovsky Leads a Very Russian Decoding of Michelangelo's Writings
http://www.nytimes.com/2006/05/19/arts/music/19dmit.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/05/19/arts/music/19dmit.html
By BERNARD HOLLAND [NY Times, 19 May 2006]
Michelangelo, in his off-hours as poet and writer, had bitter words for God and his works. Shostakovich lent them a sympathetic ear more than 400 years later when, nearing death in 1974, he set his "Suite on Words of Michelangelo." Dmitri Hvorostovsky, the Russian baritone, sang this cycle of 11 songs, with Ivari Ilja playing the piano, on Wednesday as part of a Russian evening at Avery Fisher Hall.