08 May 2006
Lohengrin, Metropolitan Opera, New York
http://news.ft.com/cms/s/4931ad84-deb1-11da-acee-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/4931ad84-deb1-11da-acee-0000779e2340.html
By Martin Bernheimer [Financial Times, 8 May 2006]
The Metropolitan Opera is a company that, for better or worse, wants a tree to resemble a tree. A swan is certainly supposed to look like a swan. Robert Wilson offered a notable exception to the rule, however, with his abstraction of Lohengrin, last seen in 1998. Essentially it is a lovely light-show with music.