30 May 2006
Our cultural revolution
http://www.thestandard.com.hk/news_detail.asp?pp_cat=15&art_id=19785&sid=8192356&con_type=1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.thestandard.com.hk/news_detail.asp?pp_cat=15&art_id=19785&sid=8192356&con_type=1
Peter Gordon [The Standard, 31 May 2006]
Opera Hong Kong's Sunday matinee of Bizet's Carmen was good - not just OK, but good. Hong Kong's own Warren Mok sang the lead tenor role of Don Jose. I like Mok; always have. His voice can be a bit rough around the edges on occasion; perhaps he needs to perform more, preferably here, but it is distinctive, unlike the rent-a-tenors that sometimes get flown in. He is also expressive in an appealing Italianate way.