20 May 2006
The Makropulos Case
http://arts.guardian.co.uk/reviews/story/0,,1779226,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/reviews/story/0,,1779226,00.html
Tom Service [Guardian, 20 May 2006]
The final act of English National Opera's new production of Janacek's The Makropulos Case is harrowing but uplifting theatre, a brilliant staging of some of the greatest operatic music ever written. As Emilia Marty - the 337-year-old heroine of the opera, desperately seeking the potion of eternal life to fend off her impending mortality - Cheryl Barker begins the act laid out like a corpse on top of a filing cabinet: an image of the living death her life has become. The production, directed by Christopher Alden, captures this ghoulish drama, making the stage feel like a mausoleum, with sheer, metallic surfaces and the harsh glare of strip-lights.