20 Jun 2006
An Arcadian setting where rarities flourish
http://www.ft.com/cms/s/60b6ae24-ff30-11da-84f3-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/60b6ae24-ff30-11da-84f3-0000779e2340.html
By Andrew Clark [Financial Times, 19 June 2006]
The advice to patrons, delivered in clipped, headmasterly tones before every Garsington Opera performance, was to "remember to turn right when you leave". It became Leonard Ingrams's signature, and it always raised a laugh. This was Ingrams's way of acknowledging local sensitivities - a left turn would have disturbed the peace of the Oxfordshire village of Garsington after dark - but it was also a signal that with humour and determination, his country house opera festival would flourish.