01 Jun 2006
Das Rheingold, Teatro Nacional de São Carlos, Lisbon
http://news.ft.com/cms/s/83f132ce-f0c1-11da-9338-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/83f132ce-f0c1-11da-9338-0000779e2340.html
By Shirley Apthorp [Financial Times, 31 May 2006]
Alberich is exceptionally well-endowed. Rejected by the Rhinemaidens, he rocks on his haunches, cradling his metre-long member. For a moment, when he swipes the disco-ball Rhinegold from these blue-frocked party-girls, self-castration looks likely. But no. He keeps the appendage, and it reappears in Nibelheim, thick as a man and as wide as the stage.