06 Jun 2006
Don Giovanni — Millennium Centre, Cardiff
http://arts.guardian.co.uk/reviews/story/0,,1791112,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/reviews/story/0,,1791112,00.html
Rian Evans [Guardian, 6 June 2006]
In Katie Mitchell's production for Welsh National Opera, the emphasis on the full title - Il Dissoluto Punito, Ossia Il Don Giovanni - ensures that the final outcome is never in doubt. The dissolute Don - smooth talker, brutal rapist and murderer - will be punished in hell. But in this revival by Elaine Kidd, 10 years on from the premiere, Mitchell's parallel emphasis on divine retribution has been all but removed.