12 Jun 2006
Powder Her Face, Barbican Hall, London
http://news.ft.com/cms/s/e87a0ef4-f973-11da-8ced-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/e87a0ef4-f973-11da-8ced-0000779e2340.html
By Richard Fairman [Financial Times, 11 June 2006]
Sometimes one wonders how composers find the time to compose at all. Thomas Adès is artistic director of the Aldeburgh Festival, but on the eve of this year’s festival he still managed to clear a space in his diary to conduct a concert performance of his 1995 opera Powder her Face.