26 Jun 2006
Weill Double Bill, Opéra national de Lyon
http://www.ft.com/cms/s/5402464a-0532-11db-9b9e-0000779e2340.html
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By Francis Carlin [Financial Times, 26 June 2006]
The Lindbergh Flight and The Seven Deadly Sins are stylistically opposed examples of Kurt Weill’s work with Brecht. The first, a little-known arid cantata that echoes Hindemith, is a didactic hymn to man’s courage, the second – frequently performed – is a withering satire on religious hypocrisy with Weill in a recognisably jaunty mood. Pairing the two is a long shot, but it pays off magnificently here thanks to François Girard’s imaginative, foot-sure stagings.