30 Jul 2006
He Wrote the Words
http://www.nytimes.com/2006/07/30/books/review/30marshall.html?ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/07/30/books/review/30marshall.html?ref=music
MEGAN MARSHALL [NY Times, 30 July 2006]
ORCHESTRAS, opera companies, chamber groups and solo pianists have been celebrating Mozart’s 250th birthday all year, but surprisingly few writers have aimed to capitalize on the surge of interest in the composer considered by many to be music’s greatest genius. I’m reminded of the reaction I once got from an editor when I suggested writing a group biography of the Romantic trio Clara and Robert Schumann and Johannes Brahms: “Books about musicians don’t sell!”