24 Jul 2006
‘Tancredi,’ a Neglected Work, Recalled With Care at Caramoor
http://www.nytimes.com/2006/07/24/arts/music/24cara.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/07/24/arts/music/24cara.html
By ANTHONY TOMMASINI [NY Times, 24 July 2006]
KATONAH, N.Y. — Though the Bel Canto at Caramoor series, directed by the conductor and vocal coach Will Crutchfield, has brought worthy but neglected works to public attention, it has never quite shed the veneer of a resuscitation effort of interest mainly to bel canto buffs.