10 Jul 2006
The Beast Who Became an Opera — Lincoln Center Festival 2006
http://www.nysun.com/article/35665
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/35665
(Photo: Constance Hoffman)
BY STUART ISACOFF [NY Sun, 10 July 2006]
Even monsters have mothers. That message is at the heart of John Gardner's 1971 novel "Grendel," a reshaping of the 10th-century Danish tale, "Beowulf." While that epic is named for the warrior-hero who slays a murderous beast, Mr. Gardner's story is told from the point of view of the beast, Grendel. And in his novel, the repulsive, Dane-eating monster appears more recognizably human than any of the stiff-necked, blinkered men who seek his demise.