01 Aug 2006
From Majesty to Contemplation to Mystery
http://www.nysun.com/article/37055
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/37055
BY FRED KIRSHNIT [NY Sun, 1 August 2006]
Renaissance Flemish master Josquin des Prez made one of the most important aesthetic breakthroughs in Western musical history.Although it is a bit simplistic to state that Josquin (his fame was so widespread that he became known by only one name, like Cher) invented the identification of the minor keys with the more dolorous emotions, his sensitive ear-to-heart connection broke the standardized Gregorian rules that had guided composition for a thousand years. And as a Catholic, his possessed profound influence in the Protestant church, especially since his most ardent exponent was a contemporary composer of hymns named Martin Luther.