13 Aug 2006
L’italiana in Algeri, Rossini Opera Festival Pesaro, Italy
http://www.ft.com/cms/s/10d4ea90-2af2-11db-b77c-0000779e2340.html
Recently in News
Latest news
Bizet’s Carmen Uncovered
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
The Operas of Sergei Prokofiev
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
Incoming Artistic Director Rosetta Cucchi announces her 2020 programme inspired by William Shakespeare and the launch of the Wexford Factory Academy for young Irish singers
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
Music In The Present Tense: Rossini’s Italian Operas in Their Time
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama
http://www.iupress.indiana.edu/product_info.php?products_id=809636
Prokofiev’s Soviet Operas
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
The Opera Singer’s Acting Toolkit
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
The real Traviata. The Song of Marie Duplessis
https://h-france.net/vol18reviews/vol18no52palidda.pdf
Glyndebourne announces new Artistic Director
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
BLACK OPERA: HISTORY, POWER, ENGAGEMENT
A musical challenge to our view of the past
Die schöne Müllerin by Mark Padmore
Opera Rara - How to Rescue a Lost Opera
https://vimeo.com/operarara/how-to-rescue-an-opera
Welsh National Opera explores Madness for autumn season
New Releases from Opera Rara
A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony
On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side
Il Trittico: Puccini's most underrated opera
Bizet's Carmen | English National Opera
OPERA TODAY ARCHIVES »
News
By Shirley Apthorp [Financial Times, 13 August 2006]
Was it the bare-breasted dancing-girls, the cavorting zebra, or the lone fleeing communist during Isabella’s patriotic aria to Italy that annoyed them? Perhaps it was simply Dario Fo himself, appearing to take his bow. There was something Pavlovian about the chorus of boos at the end of Pesaro’s L’Italiana in Algeri revival. It is hard to imagine that anything in this sweetly ingenuous 1994 production could really cause offence. Parts of the audience seem to boo Fo as a matter of principle.