05 Aug 2006
Thomas Adès' American premiere of 'Tempest' opera is a magical marvel of sound
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/08/05/DDGFSKAUKS1.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/08/05/DDGFSKAUKS1.DTL
Joshua Kosman [SF Chronicle, 5 August 2006]
(08-05) 04:00 PDT Santa Fe -- For any composer out to make an opera of "The Tempest," Shakespeare helpfully provides a spec sheet. Prospero's enchanted island, as Caliban observes in the play, "is full of noises, sounds, and sweet airs, that give delight and hurt not."