21 Sep 2006
La Serenissima — Queen Elizabeth Hall, London
http://arts.guardian.co.uk/reviews/story/0,,1876595,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://arts.guardian.co.uk/reviews/story/0,,1876595,00.html
Tim Ashley [The Guardian, 20 September 2006]
You can have too much Vivaldi. For all his popularity, he is a trickier composer than might initially appear, astonishing in his melodic and harmonic facility, yet apt to seem samey when heard in quantity. An evening of his music can be cloying, but violinist and enthusiast Adrian Chandler, founder of the period band La Serenissima, has discovered ways of making Vivaldi riveting.