11 Sep 2006
Tragic Love in a Garret, on the Brink of World War I
http://www.nytimes.com/2006/09/11/arts/music/11bohe.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/09/11/arts/music/11bohe.html
By STEVE SMITH [NY Times, 11 September 2006]
In a short behind-the-scenes documentary film screened before the third act of Puccini’s “Bohème” during the Opera-for-All celebration at New York City Opera on Friday, the director, James Robinson, called the piece “director-proof.” He was half right. While it’s probably true that the stirring passions and sumptuous music in this work can survive all manner of stage treatments, a smart production can definitely heighten the impact of Puccini’s powerful score.