21 Oct 2006
Bloodthirsty mythology
http://www.news.com.au/couriermail/story/0,23739,20608460-7642,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.news.com.au/couriermail/story/0,23739,20608460-7642,00.html
By Sandra McLean [Courier-Mail, 21 October 2006]
CHRIS Mangin admits cutting up people's tongues is not exactly socially acceptable behaviour.
But in an opera, well, it's to be expected. After all, this is an artistic form that revels in tragedy, lust, power and love gone horribly wrong.