08 Oct 2006
Die Soldaten, Jahrhunderthalle, Bochum, Germany
http://www.ft.com/cms/s/4170292e-5565-11db-acba-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/4170292e-5565-11db-acba-0000779e2340.html
By Shirley Apthorp [Financial Times, 8 October 2006]
Marie’s fall from grace has never been more palpable. David Pountney’s new production of Die Soldaten is one vast sensual excess. As the merchant’s daughter slides from flirtation to prostitution, the audience slides with her. Literally. The podium on which the seats are mounted rests on railway tracks that run the length of the cavernous Jahrhunderthalle. The effect is unnervingly dizzying.