29 Oct 2006
First performances are not all of a feather
http://www.timesonline.co.uk/article/0,,2101-2421210,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.timesonline.co.uk/article/0,,2101-2421210,00.html
Bird of Night fails to lift Paul Driver, but premieres of Maxwell Davies and Knussen prove transporting [Times Online, 29 October 2006]
Of four premieres I attended in the past few days, the grandest was the least. For the first time, the Royal Opera has commissioned a work from a woman, the Trinidadian Dominique Le Gendre, and it was staged at the Linbury. In 2003, a 20-minute opus by her had been put on there as part of A Nitro at the Opera — a Sunday of “black operas”.