25 Oct 2006
La bohème, Royal Opera House, London
http://www.ft.com/cms/s/242d9bc6-637a-11db-bc82-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/242d9bc6-637a-11db-bc82-0000779e2340.html
By Richard Fairman [Financial Times, 24 October 2006]
When the Royal Opera’s production of La bohème was new in 1974, half these singers probably were not born. In an ideal world a cast of young faces would be just what is needed to breathe life into a middle-aged production apt to sag in the middle, but it did not work out like that here. Far from being bright and breezy, this performance felt positively enervating.