01 Oct 2006
Lyric's 'Iphigenie' a stark, psychological drama
http://metromix.chicagotribune.com/reviews/critics/mmx-g652e0h4d.7oct01,1,4302448.story
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://metromix.chicagotribune.com/reviews/critics/mmx-g652e0h4d.7oct01,1,4302448.story
By John von Rhein [Metromix, 1 October 2006]
Gluck's operas live and breathe as long as there are performers who take their music and text seriously. Otherwise, these works can easily become fancy tableaux vivants, exquisite but oh, so boring.