03 Oct 2006
Rare Scarlatti Oratorio Resuscitated in Florence
http://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyid=14692&categoryid=4&cookies=1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyid=14692&categoryid=4&cookies=1
By Carlo Vitali [MusicalAmerica.com, 3 October 2006]
FLORENCE, Sept. 15 -- Among the giants of Baroque music prior to Bach and Handel, Alessandro Scarlatti (1660–1725) was probably the most influential and largely quoted composer, although his works are performed less than his successors’. Even during his lifetime, his fine instrumental output was overshadowed by a terrific flood of operas, oratorios, serenatas, cantatas and church music, to say nothing of son Domenico’s success as a creator and a virtuoso on the keyboard.