29 Oct 2006
That's Donizetti, Daddy-O!
http://nymag.com/arts/classicaldance/classical/reviews/22782/index.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://nymag.com/arts/classicaldance/classical/reviews/22782/index.html
Jonathan Miller’s L’Elisir d’Amore ain’t for squares, baby.
By Peter G. Davis [NY Magazine, 23 October 2006]
Jonathan Miller, the British polymath who long ago put aside medicine and acting for opera directing and giving peevish newspaper interviews, is back in town to stage Donizetti’s rustic comedy L’Elisir d’Amore at the City Opera and, during lulls in rehearsal, receive the press.