22 Nov 2006
A Sleepwalking Habit in Her Operatic Future
http://www.nytimes.com/2006/11/22/arts/music/22sonn.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/11/22/arts/music/22sonn.html
By ANNE MIDGETTE [NY Times, 22 November 2006]
VIENNA, Nov. 21 — It’s like turning a book into a movie: sometimes an opera that you’ve loved on recordings can pale when you see it onstage. This is especially true of operas that aren’t performed enough to let operagoers get used to them.