22 Nov 2006
Alessandro nell’Indie, Coliseum, London
http://www.ft.com/cms/s/c44f611c-7981-11db-b257-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/c44f611c-7981-11db-b257-0000779e2340.html
By Richard Fairman [Financial Times, 21 November 2006]
Ah, to have been an opera lover in the 1950s and 1960s. That was when the adventurous went out prospecting for unknown operas and came back with gems from the bel canto era like Bellini’s Il pirata or Donizetti’s Maria Stuarda which had been lost for half a century or more.