07 Nov 2006
Following a Bread-Crumbed Trail From the 1890s
http://www.nytimes.com/2006/11/06/arts/music/06hans.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/11/06/arts/music/06hans.html
By ANNE MIDGETTE [NY Times, 6 November 2006]
There’s a basic problem with children’s opera: it’s still opera. That is, it may be framed for children, but you still need big voices to get across an orchestra, and you still have to be prepared for opera’s generous scale and time frame. And yet you don’t get the big emotional or intellectual payoffs of a “Traviata” or a “Walküre” because it’s, well, for children.