30 Nov 2006
Salzburg Festival Looks for ‘Nocturnal Side of Reason’
http://www.nytimes.com/2006/11/30/arts/music/30salz.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2006/11/30/arts/music/30salz.html
By ANTHONY TOMMASINI [NY Times, 30 November 2006]
Earlier this fall Jürgen Flimm, the acclaimed German theater and opera director, began his tenure as the artistic director of the prestigious Salzburg Festival. In New York on Tuesday Mr. Flimm made one thing clear: Even though he has long worked at the festival, “Mozart 22,” last year’s ambitious presentation of all 22 of Mozart’s operas and dramatic works in staged production, was not his idea.