08 Nov 2006
Tamerlano, Theatre Royal, Glasgow
http://www.ft.com/cms/s/406f7782-6f4b-11db-ab7b-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/406f7782-6f4b-11db-ab7b-0000779e2340.html
By Andrew Clark [Financial Times, 8 November 2006]
Reduced to four productions per season, Scottish Opera’s choices are unenviable. As a subsidised company it can’t just do Tosca and La traviata – but if it is to go beyond the “popular” without depleting its audience, it needs to choose carefully. Better follow the ensemble principle – establish the resources, then see what is possible – than choose an opera and see if it can be cast. But Scottish Opera has taken the latter route.