13 Dec 2006
A tantrum too far
http://music.guardian.co.uk/classical/comment/story/0,,1970981,00.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://music.guardian.co.uk/classical/comment/story/0,,1970981,00.html
First tenor Roberto Alagna storms out of Aida, then his wife Angela Gheorghiu quits the Royal Opera House. Are they too big for their boots, asks Martin Kettle
[Guardian, 13 December 2006]
It is the perfect grand opera story. A superstar tenor sings underwhelmingly at the world's most exacting opera house and storms off stage with a shake of the fist amid a torrent of booing. An understudy in jeans is thrown on in his place and has a night of triumph. Roberto Alagna's walkout from La Scala's season-opening Franco Zeffirelli production of Verdi's Aida is an opera story with everything - and with the bonus that it confirms all our prejudices about the art form, too.