11 Dec 2006
Die Meistersinger von Nürnberg, Grand Théâtre, Geneva
http://www.ft.com/cms/s/06570e7a-892c-11db-a876-0000779e2340.html
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By Francis Carlin [Financial Times, 11 December 2006]
Hans Sachs’ concluding ode to German art means Wagner’s only “comic” opera has become a political hot potato. A producer who stages it with traditional medieval pomp is accused of ducking the issues raised by German nationalism; treating it as an anticipatory apologia of National Socialism looks like a cheap trick based on questionable hindsight.