17 Dec 2006
Hänsel und Gretel, Philharmonie Berlin
http://www.ft.com/cms/s/0fd8a8ec-8c5f-11db-9684-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0fd8a8ec-8c5f-11db-9684-0000779e2340.html
By Shirley Apthorp [Financial Times, 17 December 2006]
Humperdinck’s Hänsel und Gretel raises a number of questions. Why does it not put children off gingerbread? Why has the Berlin Philharmonic Orchestra never performed it before? And why do we often overlook Wagner’s immense influence on the score?