01 Dec 2006
Welsh welcome for a Russian Wagner
http://www.ft.com/cms/s/672b448c-8166-11db-864e-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/672b448c-8166-11db-864e-0000779e2340.html
[Financial Times, 1 December 2006]
Just when questions are being raised, in the wake of the Litvinenko affair, about Russia’s trustworthiness as a superpower, along comes a 15-hour operatic allegory about the abuse of power – interpreted by a Russian company. Wagner’s Der Ring des Nibelungen, which is being performed this weekend in Cardiff, Wales, by St Petersburg’s Mariinsky Theatre, has nothing to say about Russian spies or nuclear contamination.