21 Jan 2007
A Tenor Cashes in on His Money Notes
http://www.nytimes.com/2007/01/21/arts/music/21gure.html?_r=1&ref=music&oref=slogin
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/01/21/arts/music/21gure.html?_r=1&ref=music&oref=slogin
By MATTHEW GUREWITSCH [NY Times, 21 January 2007]
IT’S ancient history, but the Sicilian tenor Marcello Giordani makes it a point of honor to acknowledge the crisis. His career got off to a promising start in Spoleto, Italy, with Verdi’s “Rigoletto” in 1986. He was 23, and he had plenty going for him: musicality, easy high notes, a handsome face, a good physique. And he was tall — a godsend to leading ladies.