08 Jan 2007
Gergiev’s Opus: A New Concert Hall
http://www.nytimes.com/2007/01/09/arts/music/09mary.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/01/09/arts/music/09mary.html
By GEORGE LOOMIS [NY Times, 9 January 2007]
ST. PETERSBURG, Russia — When Daniel Barenboim announced almost three years ago that he would leave the Chicago Symphony, one reason he gave was that music directors of American orchestras have too many “nonartistic” responsibilities. Fund-raising is chief among them, but conductors are also expected to be community leaders, educators and shrewd business leaders.