21 Jan 2007
La Pietra del paragone, Châtelet, Paris
http://www.ft.com/cms/s/0641acf4-a7e2-11db-b448-0000779e2340.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0641acf4-a7e2-11db-b448-0000779e2340.html
By Francis Carlin [Financial Times, 19 January 2007]
Stendhal loved it. Some see it as Rossini’s first great work but The Touchstone (1812) is more a harbinger of greater things to come than an accomplished work. Like Cenerentola it presents two bad girls vying with a goodie, here the disinterested Clarice, and both operas get their business done in the first act, leaving the second as an epilogue. Played straight it would take the best singers around to keep our attention.