26 Jan 2007
Life in tune
http://tls.timesonline.co.uk/article/0,,25342-2552013.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://tls.timesonline.co.uk/article/0,,25342-2552013.html
Jerry Fodor [Times Literary Supplement, 17 January 2007]
Bernard Williams
ON OPERA
224pp. Yale. £19.99.
0 300 08976 7
There are, in principle, two quite different kinds of opera books: the ones that are about opera and the ones that are about operas. There aren’t (to my knowledge) many of the second kind that are very good; and there are practically none of the first kind. It would be lovely if someone were to write a good book about opera, since the medium is a conundrum both for its devotees and for aestheticians. The litany of complaints is familiar: most libretti cannot be taken seriously; but for the music, they couldn’t hope to hold the stage.