30 Jan 2007
Marilyn Horne Puts Her Protégés on Parade in Song
http://www.nytimes.com/2007/01/29/arts/music/29song.html?ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2007/01/29/arts/music/29song.html?ref=music
By ANNE MIDGETTE [NY Times, 29 January 2007]
The standing ovation came before a note of music had been sung. The Marilyn Horne Foundation’s annual gala recital is supposed to focus on song, but it also focuses on Marilyn Horne. Looking radiant in gold lace, apparently undaunted by a year’s struggle with cancer, she played host to Friday evening’s event at Zankel Hall, a night after giving a master class there, with every bit of her star flair. And at her first entrance the audience stood, with applause and shouts of “Brava,” to greet her.